Watchdog Uganda reports that music promoter Nyanzi Martin Luther, known as Promoter Blockboy, credited veteran singer Dr Jose Chameleone’s long-running dominance of Uganda’s music industry to his calmness, humility and openness to people regardless of status. Blockboy, who has worked with Chameleone and other Ugandan musicians, described the singer’s character as key to his staying power, according to the Kampala-based outlet.

Ugandan artist Mungu Feni has participated in the Showbiz101 2026 music camp, a seven-day creative industry program held in Lagos, Nigeria, from June 23 to 30, 2026. Organized by bridgeAFRIC, the event aimed to connect African creatives with global industry players through education, collaboration, networking, and music, enhancing opportunities for talent on an international scale.

Afrobeats singer Spyro has alleged that religious leaders in Nigeria are profiting from the country's insecurity and economic difficulties. He claims that many of these leaders remain silent on pressing issues due to the advantages they gain from the current state of affairs, suggesting a lack of accountability and advocacy from their side.

Nigerian music star Davido has cautioned individuals who try to live or move exactly like him, urging people to build their own paths instead of copying others. According to the Daily Post, the singer said many admire the lifestyle and success they see on the surface without understanding the sacrifices, challenges and unique circumstances behind it.

Nigerian Afrobeats star Ayodeji Balogun, known as Wizkid, headlined the closing night of the 2026 Afro Plus Fest in Maryland, United States, on Sunday, according to Information Nigeria. The performance marked 15 years since his breakthrough in the music industry. The 35-year-old Grammy Award winner closed the three-day festival, which ran from 4 to 6 September.

Gospel singer Mungu Feni has stated that Ugandan gospel musicians face difficulties in sustaining long-term careers due to financial challenges and outdated perceptions of gospel music. He emphasizes the necessity for the industry to evolve in order to appeal to younger audiences.