The Chanzo has published the first installment of an opinion series titled "The Black Colonialist: Africa's Self-Inflicted Wound," which examines the legacy of colonialism in Africa while questioning what African leaders have achieved since independence. The piece argues that, beyond the wounds inflicted by colonial rule, the continent's post-independence governance by its own leaders deserves scrutiny. It frames Africa's ongoing challenges as partly self-inflicted, setting up a broader critique to be continued in subsequent parts of the series.

The article from Soko Directory discusses the issue of xenophobia in Africa, suggesting that it is fueled by failed governance. It emphasizes the need for the continent to confront its challenges honestly and reflect on its internal conflicts. The piece highlights the urgency of addressing these issues to prevent further escalation of xenophobic sentiments.

In a Premium Times opinion column, writer Niran Adedokun examines a dispute between Oseni and Olayinka over the use of the word "gbewudani" to describe a figure named Onor. Adedokun argues the real question is not whether the term is offensive but whether the political circumstances make the metaphor plausible. He contends that Olayinka's attempt to rebuke Oseni inadvertently reinforced the very impression he was trying to dispel, highlighting what the columnist calls an irony in the exchange.

ThisDay Live published an opinion piece by Godwin Sogolo titled “Understanding Witchcraft In Africa,” described as a slightly modified version of his contribution to the Toyin Falola Interviews held on Sunday, August 30, 2026. The blurb says the article followed announcement of the event and presents Sogolo’s reflections on witchcraft in African contexts, but provides no further details about arguments, findings, or reactions.

According to Percy Mabandu, the determination and resilience of South Africa's artists were highlighted at Makhanda, particularly in the context of ongoing xenophobia and the challenges posed by strict notions of patriotism. The event showcased how artists are responding to issues of neglect and societal tensions.

A meeting in Accra is focusing on the renewed efforts for slavery reparations, emphasizing the transition from apologies to actionable steps. The discussions are marked by ongoing questions regarding the effectiveness and delivery of reparatory justice, highlighting the complexities involved in addressing historical injustices, according to Al Jazeera.